Ce long-métrage a remporté le Grand Prix du jury et le prix du meilleur premier film à la Mostra de Venise 2022 le 10 septembre. Il sortira en salles le 23 novembre en France et sera en lice dans la catégorie "long métrage international".
https://www.francetvinfo.fr/culture/cin ... 77795.html
Les autres prétendants :
- A Plein temps, d’Éric Gravel (sorti le 16 mars 2022, disponible en DVD / VOD)
- Les Pires, de Lise Akoka et Romane Gueret (sortie le 30 novembre prochain)
- Revoir Paris, d’Alice Winocour (actuellement à l'affiche)
- Un beau matin, de Mia Hansen-Love (sortie le 5 octobre prochain)
MEILLEUR FILM
“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“Triangle of Sadness” (Neon)
“Women Talking” (MGM/United Artists Releasing)
MEILLEURE RÉALISATION
Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“Tár”)
Ruben Östlund (“Triangle of Sadness”)
MEILLEURE ACTRICE
Cate Blanchett (“Tár”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)
MEILLEUR ACTEUR
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
MEILLEURE ACTRICE DANS UN SECOND RÔLE
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)
MEILLEUR ACTEUR DANS UN SECOND RÔLE
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)
MEILLEURS COSTUMES
“Babylon” (Paramount Pictures)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros)
“Everything Everywhere All at Once” (A24)
“Mrs. Harris Goes to Paris” (Focus Features)
MEILLEUR SON
“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros.)
“Elvis” (Warner Bros.)
“Top Gun: Maverick” (Paramount Pictures / Skywalker Sound)
MEILLEURE BANDE-ORIGINALE
“All Quiet on the Western Front”
“Babylon”
“The Banshees of Inisherin”
“Everything Everywhere All at Once”
“The Fabelmans”
MEILLEUR SCÉNARIO ADAPTÉ
“All Quiet on the Western Front” (Netflix)
“Glass Onion: A Knives Out Mystery” (Netflix)
“Living” (Sony Pictures Classics)
“Top Gun: Maverick” (Paramount Pictures)
“Women Talking” (MGM/United Artists Releasing)
MEILLEUR SCÉNARIO ORIGINAL
“The Banshees of Inisherin” (Searchlight Pictures)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Tár” (Focus Features)
“Triangle of Sadness” (Neon) “An Irish Goodbye” (Floodlight Pictures)
MEILLEUR COURT-MÉTRAGE ANIMÉ
“The Boy, the Mole, the Fox, and the Horse” (Apple TV+)
“The Flying Sailor”
“Ice Merchants”
“My Year of Dicks”
“An Ostrich Told Me the World Is Fake and I Think I Believe It”
MEILLEUR COURT-MÉTRAGE EN PRISES DE VUE RÉELLES
“An Irish Goodbye” (Floodlight Pictures)
“Ivalu” (M&M Productions)
“Le Pupille” (Disney+)
“Night Ride”
“The Red Suitcase” (Cynefilms)
MEILLEUR MONTAGE
“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“Tár”
“Top Gun: Maverick” (Paramount)
MEILLEURS MAQUILLAGES ET COIFFURES
“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros.)
“The Whale” (A24)
MEILLEUR FILM D’ANIMATION
“Guillermo del Toro’s Pinocchio” (Netflix)
“Marcel the Shell With Shoes On” (A24)
“Puss in Boots: The Last Wish” (DreamWorks Animation)
“The Sea Beast” (Netflix)
“Turning Red” (Pixar)
MEILLEUR FILM DOCUMENTAIRE
“All That Breathes” (HBO Documentary Films)
“All the Beauty and the Bloodshed” (Neon)
“Fire of Love” (National Geographic Documentary Films/Neon)
“A House Made of Splinters”
“Navalny” (CNN/Warner Bros.)
MEILLEUR COURT-MÉTRAGE DOCUMENTAIRE
“The Elephant Whisperers” (Netflix)
“Haulout”
“How Do You Measure a Year?” (Jay Rosenblatt Films)
“The Martha Mitchell Effect” (Netflix)
“Stranger at the Gate”
MEILLEURE CHANSON ORIGINALE
“Applause” from “Tell It Like a Woman”
“Hold My Hand” from “Top Gun: Maverick”
“Lift Me Up” from “Black Panther: Wakanda Forever”
“Naatu Naatu” from “RRR”
“This Is a Life” from “Everything Everywhere All at Once”
MEILLEURE PHOTOGRAPHIE
“All Quiet on the Western Front” (Netflix)
“Bardo, False Chronicle of a Handful of Truths” (Netflix)
“Elvis” (Warner Bros.)
“Empire of Light” (Searchlight Pictures)
“Tár” (Focus Features)
MEILLEUR FILM ÉTRANGER
“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
MEILLEURE DIRECTION ARTISTIQUE
“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“Babylon” (Paramount Pictures)
“Elvis” (Warner Bros)
“The Fabelmans” (Universal Pictures)
MEILLEURS EFFETS VISUELS
“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros. / Industrial Light Magic)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Top Gun: Maverick” (Paramount Pictures)
